Dead Things (November 30, 2001) Written by: Steven S. DeKnight Directed by: James A. Contner | ||
Teaser | ||
INT. SPIKE'S CRYPT - DOWNSTAIRS - NIGHT (DAY
1)
TRACKING through Spike's underground chamber. Sounds of furniture
crashing and breaking OFF SCREEN, along with GRUNTS OF PAIN. TRACK past
the bed, which obviously hasn't been slept in. The OFF SCREEN battle
climaxes.
TRACK into the furthest chamber from the bed, which has been totally
destroyed. Buffy and Spike lay in the middle of the wreckage, naked under
the rug, totally spent. They stare at each other, both amazed by the bomb
that just went off.
(winded) We missed the bed again. SPIKE BUFFY SPIKE BUFFY SPIKE Buffy smiles despite herself. Then-
I've been thinking about doing something to my room. SPIKE BUFFY SPIKE BUFFY SPIKE BUFFY SPIKE BUFFY He drinks her in, his eyes moving hungrily over her.
You were amazing. BUFFY SPIKE Buffy's face clouds.
I'm not an animal. SPIKE BUFFY SPIKE She roots around under the rug, ignoring him.
Where's my underwear? SPIKE BUFFY SPIKE She's stopped by the actual sincerity of that.
Sometimes. SPIKE He's got her there. She doesn't answer. Spike grins slightly. Produces a pair of handcuffs, dangles them from a finger.
Do you trust me? BUFFY INT. UNDERGROUND LAIR - MAIN ROOM - NIGHT The Evil Trio has relocated to a brand spanking new lair - - which pretty much looks like their last one. Basic underground concrete affair, with several connecting rooms used for separate sleeping quarters. All their previous evil lair stuff lays scattered about, most of it still in hastily packed boxes. Warren is in the background, hunched over an electronics work bench. Andrew and Jonathan are unpacking. Andrew snatches an LP of Frampton Comes Alive out of Jonathan's hand.
How can I trust you not to touch my stuff?! Actually living with super villains wasn't part of the deal! JONATHAN Jonathan takes his magic bone out of a box, dusts it off.
This sucks. Couldn't we have at least gotten a lair with a view? JONATHAN Jonathan jabs an open box of Andrew's stuff teetering on a stack. Crash.
Hey! Quit it! A tussle breaks out.
Ow! Get off! Stop it! My bone! WARREN They freeze, Andrew having Jonathan in a headlock.
When you girls are done touching each other, the Cerebral Dampener's ready to be charged. Warren slips on a pair of ultra-hip sunglasses. A small metallic sphere half the size of a baseball is suspended by thin metal clamps on Warren's workbench.
Cool. They slip on matching sunglasses, argument forgotten.
You got the thing? Andrew pulls a zip-lock baggy from his shirt pocket. Inside is a small, moist, prune-like object.
Musk gland of a Hombja'moleev demon. He cracks the seal. They all recoil at the stench.
(choking) Fresh. Jonathan dumps the gland into his hand, trying not to gag.
All right. Stand back... Andrew and Warren move away from the Cerebral Dampener. Jonathan fishes a vial of yellow powder from his pocket, pops the cork with his teeth, spits it out. He sprinkles the powder over the gland, chanting.
The gland erupts in a whirling pillar of energy. It arcs up and slams down into the Cerebral Dampener. A brilliant white flash explodes, blowing the Trio's hair back. The light dims. The Dampener rests in its cradle, humming with power. Jonathan grimaces, his hand smoking.
Okay, ow. Warren removes his glasses, smiles evilly.
Gentlemen, the Cerebral Dampener is on-line. He removes it from its cradle, holds it in his palm.
With this baby, we can make any woman we desire our willing sex slave. And I know just where to start...
BLACKOUT.
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Act One | ||
INT. DOUBLEMEAT PALACE - COUNTER DAY (DAY 2)
Buffy is behind the counter in her uniform. Gina works the register
beside her, zoned out as usual. Buffy hands a huge bag of food to a
customer.
(brightly) Double meat is double sweet! Enjoy! The customer moves off, eyeing Buffy strangely. Gina's also staring.
Just something I'm trying. Tara rushes up.
Hey. Sorry I'm late. BUFFY Buffy takes her hat off, starts to move off.
You already had one. Stealing from the clock is stealing from the register. BUFFY She disappears into the back with Tara. INT. DOUBLEMEAT PALACE - BACK ROOM - DAY Tara sits at the break table, eyeing the motivational posters. "DEDICATION". "PRODUCTIVITY." "COOPERATION."
I have the sudden urge to dedicate my productive cooperation. Buffy hands her a soda.
If you close your eyes and repeatedly smash yourself in the head with frozen meat, it'll go away. Eventually. I'm hoping. (sitting) Thanks for coming by. TARA BUFFY TARA BUFFY TARA BUFFY TARA The subject's too difficult.
So what did you want to talk about? Buffy's absently rubbing her wrists. Handcuff action ahoy.
It's, um, Spike. He... He can hurt me. She realizes she's rubbing her wrists, stops.
Without his head exploding. TARA BUFFY TARA BUFFY Tara is stunned - and shaken by the possibility.
Buffy, no, that's n-not -- no. You didn't. BUFFY Buffy's face is a swirl of fear and pain.
That's not it. INT. TRIO'S VAN - NIGHT Video monitors display the exterior of a restaurant and the surrounding street. Jonathan and Andrew are huddled in front of a monitor displaying nothing but static.
Boost the gain. ANDREW JONATHAN ANDREW Andrew twists a knob. The static clears. We're seeing a live feed from inside the restaurant. The image jiggles, as if from a handheld camera.
Right there! That's got it. He leans in, clicks on a microphone.
(into mic) Mad Dog Two to Mad Dog One -- ANDREW Jonathan glares, goes back to the mic.
Mad Dog Three to Mad Dog One. INT. RESTAURANT NIGHT Warren, suavely dressed in a hip suit, holds a finger to a small receiver/tranceiver in his ear.
(over earpiece) Signal coming in strong and clear. Over. WARREN Warren straightens his tie. TIGHT ON TIE TACK which conceals a tiny camera. The lens makes an almost imperceptible WHIRL as it auto-focuses. ON WARREN as he moves through the restaurant like Dean Martin gliding through a casino.
(low) Keep your potatoes peeled for the Slayer. I don't want any surprises. INT. TRIO'S VAN - CONTINUOUS - NIGHT Jonathan and Andrew stare in awe at the monitor as Warren sweeps through the restaurant, focusing in on a succession of BEAUTIFUL WOMEN.
We can really have anyone we want JONATHAN ANDREW JONATHAN ANDREW INT. RESTAURANT - CONTINUOUS - NIGHT Warren pauses, scanning the bar. Jonathan and Andrew argue in his earpiece.
The redhead's too tall. ANDREW (V.O.) SOUNDS OF A SCUFFLE break out.
Ow! Ow, get off me! Warren spots a pretty brunette drinking alone at the end of the bar. It's Katrina, his ex-girlfriend from "I Was Made To Love You." He grins coolly.
(low) Target acquired. Initiating contact. INT. TRIO'S VAN - CONTINUOUS - NIGHT Jonathan has Andrew in a headlock. They whip their eyes to the monitor as Warren closes in on Katrina.
What, the brunette? ANDREW INT. RESTAURANT - CONTINUOUS - NIGHT Warren is passing a buxom girl in a red leather mini skirt.
The one with the bazoombas! JONATHAN (V.O.) Warren takes his earpiece out and drops it in a half-finished drink on a table as he passes. It sparks, shorting out. INT TRIO'S VAN - CONTINUOUS - NIGHT The speakers whine with DEAFENING FEEDBACK. Andrew and Jonathan clutch their ears.
Ahhhhhhh! INT. RESTAURANT - CONTINUOUS - NIGHT Katrina is sipping her drink.
So how did you get so beautiful? Katrina laughs.
Does that line usually work - - She turns, spots Warren sliding onto the stool next to her. Her face hardens.
What the hell are you doing here? WARREN KATRINA WARREN He holds a hundred dollar bill coolly between his fingers, indicates for the bartender to refresh her drink.
Apparently not long enough. Warren laughs it off.
You're not still sore about that thing, are you? Katrina covers her drink, stopping the bartender from freshening it.
Which thing would that be exactly? The wind-up slut you tinkered together? Or when little miss Nuts and Bolts tried to choke me to death? Warren's cool demeanor falters.
Okay, so I made a few mistakes. KATRINA WARREN KATRINA WARREN KATRINA Warren's face goes cold. He slips on his sunglasses.
You sure about that? KATRINA Warren opens his palm. The Cerebral Dampener flashes once. Katrina's eyes go blank and an odd little smile seizes her face. She's been totally whammied.
-- I love you, Master. Warren smiles vindictively.
I love you, too, baby. INT. BUFFY'S HOUSE - LIVING ROOM - NIGHT Buffy drags herself through the front door, exhausted.
(weakly) I'm home. Who wants to help scrape the grease off -- oh my God! She freezes, stunned. Xander and Dawn are waltzing in the living room. Anya and Willow are on the couch.
Is there singing?! Are we singing again? XANDER ANYA Xander dips her grandly. Dawn giggles, loving it.
(to Buffy) Wanna go for a spin? BUFFY WILLOW BUFFY XANDER ANYA WILLOW XANDER BUFFY A car HORN honks from outside.
--listen to the cars honk. Dawn grabs a sleeping bag by the door.
Where are you going? DAWN BUFFY WILLOW BUFFY DAWN BUFFY DAWN The car HONKS again. Dawn shrugs a half-hearted apology.
Not like I knew you'd be around. Dawn rushes out. The guilt of not being around for Dawn crushes down on her.
(sighs) Frosty nectar. Now please. INT. UNDEGROUND LAIR - MAIN ROOM - NIGHT TIGHT ON a glass being filled with champagne. PULL BACK to reveal Katrina in a classic French Maid outfit, complete with fishnet stockings and stiletto heels. She finishes filling Andrew, Jonathan, and Warren's glasses.
Thanks, baby. KATRINA She stands there with her blank eyes and odd little smile, waiting for her next command. Jonathan and Andrew stare in awe.
That is so cool. Jonathan toys with the Cerebral Dampener.
I really could've used one of these in high school. Warren hoists his glass.
Gentlemen. To crime! ANDREW/JONATHAN They drink. Andrew sputters and chokes from the champagne.
Crime tastes funny. Jonathan circles around Katrina, admiring her assets.
Wow. I still think I would have gone with the bazoombas, but ... wow. ANDREW WARREN A beat. Andrew and Jonathan bust out in nervous, excited giggles.
Yeah! ANDREW KATRINA ANDREW KATRINA Andrew is seized by a big goofy grin.
(awkward and embarrassed) Okay, so how do we, you know. ANDREW WARREN Warren drapes an arm around her.
That's not fair! JONATHAN WARREN INT. UNDERGROUND LAIR - WARREN'S ROOM - NIGHT Half unpacked. Electronic equipment and bizarre, unfinished mechanical devices litter the room. There's also a happenin' red velvet bed and a lava lamp. WHAM! Warren is slammed against a wall as Katrina kisses him hard. Her eyes are still blank, but her lips are working just fine. Warren devours her hungrily.
(kissing) Mmm... Good. Use your tongue... KATRINA And so she does. Warren shudders in ecstasy.
(kissing) Touch me ... KATRINA Her hands roam over his body as they kiss.
(kissing, sincerely) I've missed you so much. You never should have left me. (harshly) Say it. KATRINA The action heats up as his hands explore her body.
(kissing, softly) Tell me you love me. KATRINA WARREN KATRINA WARREN KATRINA He pulls back, breathing hard, taking her in. His face goes deadly cold.
I love you too, baby. (a beat) Get on your knees. KATRINA He grins as she starts to kneel down in front of him -- then his eyes narrow. Wait a second...
What did you just say? KATRINA Katrina blinks in confusion, The whammy has worn off. Her face darkens as she realizes what she's wearing -- and who's standing over her.
What the fu - - INT. UNDERGROUND LAIR - MAIN ROOM - NIGHT BOOM! Warren is thrown out of his room. He hits the floor hard, landing in a heap. Katrina storms over to him, breathing fire. Jonathan and Andrew, whacking each other with toy lightsabres, freeze in mid-bonk.
What did you do to me?! WARREN Jonathan and Andrew quickly scramble to find the Dampener.
Who the hell are you? ANDREW KATRINA JONATHAN ANDREW Katrina turns her wrath on Warren as he fumbles to get his anti-whammy sunglasses on.
Are you kidding me?! WARREN KATRINA ANDREW (O.S.) Katrina whips her eyes back to Andrew. He has his sunglasses on.
Call us "Master!" He triumphantly thrusts the Cerebral Dampener out in his palm. Jonathan, not wearing his sunglasses, throws an arm up to protect his eyes.
Wait -- The Dampener sputters weakly, shuts down. BLOOP! Out of gas.
Aw crap. JONATHAN KATRINA WARREN KATRINA Jonathan and Andrew are stunned by that bit of information.
She's your ex?! ANDREW She turns on them.
Oh, you think? Bunch of little boys, playing at being men. (re: maid outfit) This isn't some fantasy. It's not a game, you freaks. It's rape. JONATHAN ANDREW Katrina's crying now, humiliation and anger mixing in equal measure.
You're all sick. I'm going to make sure they lock you away for this. Then you can see how you like getting raped. She starts for the stairs.
Stop her! Andrew grabs her, totally terrified.
Get off of me! A struggle breaks out. Jonathan tries to help him. WHAM! She elbows Andrew in the face. He crashes back, his nose bleeding. POW! She knees Jonathan in the crotch. He gasps, sinking to his knees. She turns for the stairs and WHAM! Warren's on her. She scratches at his eyes. He yelps, releasing her. She scrambles for the stairs. Warren frantically grabs the champagne bottle and smashes her in the back of the head. Katrina tumbles forward, landing hard on the concrete stairs. She doesn't move. A long beat of silence, punctuated only by the labored breathing of the boys.
(softly) Charge the Cerebral Dampener. JONATHAN WARREN Andrew goes to Katrina.
We'll give her another dose. A stronger one. Everything's all right. Everything's gonna be all right. ANDREW They turn to look at him. He's kneeling over Katrina, his face ashen.
She's dead.
BLACKOUT.
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Act Two | ||
INT. UNDERGROUND LAIR - MAIN ROOM - NIGHT
Warren checks Katrina, his hands trembling. Andrew is sitting on the
floor, his arms hugging his knees, crying.
(softly, over and over) Oh god oh god oh god. Warren looks up, stunned and shaken.
Her neck. It... JONATHAN Warren stands, trying to pull it together.
Okay. I just gotta... let me think. Just - - Jonathan starts to cry, losing it.
What did you do? What the hell did you do?! He grabs Warren. Warren viciously slams him against a wall, gets in his face.
(low and dangerous) We did this. Me and Andrew and you. It's on all of us. ANDREW WARREN Andrew goes quiet, silently sobbing. Warren lets go of Jonathan. He stares at the body of the woman he once loved, shaken to the core, desperately trying to keep it together.
We have to get rid of - - We have to get rid of it. JONATHAN WARREN JONATHAN WARREN Andrew doesn't respond.
(firmly) Andrew. Andrew looks up, dazed
What? WARREN Andrew stares blankly at the body.
Maybe a... a Jaarvlen Flesh Eater. But they're hard to control. Unpredictable. It'd go for us, too. JONATHAN WARREN JONATHAN WARREN JONATHAN ANDREW Warren becomes deadly calm.
No. JONATHAN WARREN JONATHAN Warren's eyes narrow, an idea forming.
Then maybe it should be sooner. JONATHAN WARREN JONATHAN WARREN WILLOW (PRE-LAP) INT. BRONZE - NIGHT Xander and Anya are tearing up the dance floor with some spastic retro Swing action. Buffy and Willow watch slack- jawed from a nearby table.
We're not going to have to do that at the wedding, are we? 'Cause there's this last thread of dignity I've been desperately clinging to. BUFFY WILLOW Buffy's guilt bubbles up.
I'm sorry I haven't been around much. WILLOW BUFFY WILLOW BUFFY Xander and Anya twirl up, laughing, completely in love.
I see sitting where yet there should be dancing. ANYA WILLOW And despite that, I succumb to the beat. Willow rises
I'll catch the next Soul Train out. XANDER She holds up her empty glass, forces a smile.
Glass all the way empty. More nectar required. XANDER They move out onto the dance floor. Buffy watches them go, her smile fading. INT. BRONZE - BAR - NIGHT Buffy wanders near the bar, on auto pilot, totally disconnected from her surroundings. She sets her empty glass on the bar and drifts away. INT. BRONZE - BALCONY - NIGHT Buffy drifts up the stairs to the balcony, which is nearly empty. She wanders to the center of the balcony, shrouded in shadows. She looks down at her friends enjoying life, unable to feel a part of it.
You see? You try to be with them. But you always end up in the dark. With me. Spike appears out of the shadows. Buffy doesn't turn around as he slides in close behind her.
What would they think of you? If they found out all the things you've done. His hand moves down her body.
If they knew who you really were... BUFFY SPIKE She doesn't. His overcoat swings in, obscuring the action as he gets her skirt up. Her breathing quickens. She gasps. Spike moans, his face consumed in the moment. Buffy grips he railing, her knuckles white. She sees Xander, Anya, and Willow down on the main floor, dancing and laughing, totally oblivious. She closes her eyes, unable to look at them.
No. Don't close your eyes. Buffy opens her eyes. Spike continues moving rhythmically behind her, his breath hot on her neck.
Look at them. That's not your world. You belong in the shadows... with me. Look at your friends... and tell me you don't love getting away with this right under their noses... Buffy's face is wracked by guilt, but she doesn't move away -- or close her eyes. OMITTED OMITTED EXT. MAGIC BOX - DAY (DAY 3). Xander and Willow are walking up to the shop. Xander grimaces, his hand to his side.
Ouh. I think I pulled a jive muscle last night. WILLOW Willow opens the door. Tara is just coming out, a large magical text in her hand.
(surprised) Tara. What are you doing here? I mean, it's okay for you to be here, if you have thing. that need you to be here for. XANDER Xander zips in, making himself scarce.
There's a monkey problem? WILLOW She eyes the Grimore in Tara's hand.
The Brekenkrieg Grimore. Light reading? Tara moves the book behind her back.
Yeah, I was just... WILLOW TARA WILLOW Tara knows Willow's really talking about her.
(sincerely) I'm sure she feels the same way. (breaking the moment) If you see her, could you tell her I need to talk to her? It's important. WILLOW TARA Tara starts to walk off, pauses, turns back.
Will? I'm... I'm glad you're doing better. There's so much more to say, but it's still too soon. Tara settles for an encouraging smile, heads off. Willow watches her go, barely holding the tears in. EXT. CEMETERY - NIGHT Buffy moves past the gravestones, a stake dangling absently in her hand. Her mind is a million miles away. Slowly, unconsciously, she heads for Spike's crypt.
INTERCUT WITH:
INT. SPIKE'S CRYPT - CONTINOUS - NIGHT Spike, his shirt open, fires up a cigarette. Pours himself a glass of blood. Crumples up some Burba Weed in it. Raises it to his lips. Re pauses, sensing something. His eyes drift to the door. A smile bends his lips. He can feel Buffy approaching. He drifts over to the door. His breathing quickens in anticipation. He can sense her on the other side. EXT. SPIKE'S CRYPT - CONTINUOUS - NIGHT Buffy is at Spike's door, her own face filled with the same anticipation. She can feel Spike on the other side, like an animal sensing its mate. INT. SPIKE'S CRYPT - CONTINUOUS - NIGHT Spike opens the door, a wry smile bending his lips. EXT. SPIKE'S CRYPT - CONTINUOUS - NIGHT Spike's smile falters. Buffy is gone. He stands there, peering into the night, alone. EXT. EDGE OF WOODS - NEAR CEMETERY - NIGHT Buffy is walking quickly away, determined to avoid Spike at all costs this time.
Don't think about the evil bloodsucking fiend... focus on anything but the evil bloodsucking -- A woman's SCREAM splits the air. Buffy snaps into Slayer mode, relieved to have a distraction.
Thank you. She spots a tall, skeletal RWASUNDI DEMON gliding across the ground, only its deformed hands visible under tattered robes and impenetrable hood as it chases Katrina. We just get a quick glimpse of Katrina from behind. She's wearing the same clothes from the restaurant -- and is very much alive. Buffy sprints after them. She's right on the demon's tail as it chases Katrina into the woods. Buffy launches herself at the demon's back. Buffy crosses the threshold of the woods and WHAM! She crashes to the ground. The demon and the girl are gone. She looks around confused.
Yeah huh? She turns, freezes. The edge of the woods is gone. Nothing but trees as far as the eye can see. The sound of a WOMAN SOBBING behind her. Buffy turns and WHAM! She's now standing in the center of a: LARGE CLEARING Semicircle of trees behind her, marked by a crumbling wooden fence. Grassy expanse in front, dropping off in a steep embankment. Katrina is on the ground near the edge. She's sobbing, her hair obscuring her face.
It's all right. I'm going to get you out of here. Can you walk? Are you hurt - She reaches for her, about to touch her.
Buffy... Buffy whips her head around. WHAM! She's not in the clearing anymore. She's deep in the WOODS again. The creepy voice keeps moving, multiplying.
Buffy... What did you do... What did you do... Buffy... Buffy... The voices increase in volume, rapidly becoming a deafening roar. Buffy grabs her head in pain. WHAM! She's in the CLEARING again. Spike is sprawled on the ground in front of her, his lip bleeding.
Ow! Bloody hell, what did you do that for? BUFFY WHAM! She's in the CLEARING, in the MIDDLE OF A FIGHT with three Rwasundi demons. Katrina is on the ground by the embankment crying. Spike, in vamp mode, snaps one of the demon's necks.
(warning) Buffy! She snaps her head around just as a demon connects to her jaw. WHAM! She's ALONE in the CLEARING. Her eyes dart around, her face slick with sweat, totally disoriented. A shadow moves. She tenses. It's Spike.
Spike. What's happening? SPIKE BUFFY SPIKE WHAM! Buffy is in the middle of the DEMON FIGHT. She throws a punch. WHAM! She's ALONE with Spike -- but still throwing the punch. Spike goes down, his lip bleeding.
Ow! Bloody hell, what did you do that for? Katrina stumbles in across the clearing, collapsing to the ground near the embankment, sobbing. The air suddenly VIBRATES as three Rwasundi demons solidify on our temporal plane. The demons attack. It's your typical kung-fu slug fest -- except Buffy keeps jumping around in time. She swings at a demon -- no, she's getting hit by a demon - no, she's alone -- no, she just snapped a demon's spine. Buffy snaps back into normal time in the middle of the fight. She stands there, totally disoriented. One demon is dead. Vamp-face Spike is just snapping the neck of another.
(warning) Buffy! She snaps her head around just as a demon connects to her jaw. She takes a couple of hits, kicks it back. Something grabs her arm. She swings back and WHAM! It was Katrina. She reels from Buffy's blow, tumbling down the embankment. Buffy's eyes go wide with shock. The demon she was fighting swoops in behind her. Spike slams it back at the last second. Buffy doesn't even notice. She disappears down the embankment, scrambling after Katrina. Spike starts after her.
Buffy - - The demon tackles Spike to the ground, scrambles on top of him, hissing.
Do you mind?! POW! Spike punches clean through its chest, his fist tent- poling the back of the demon's robe. He rolls it off of him, scrambles after Buffy. EXT. WOODS - BOTTOM OF EMBANKMENT - NIGHT Spike rushes down. Katrina is laying at the bottom of the embankment, face down. Buffy is kneeling over her. Spike rushes up.
Buffy - - He freezes as she looks up. Her face is constricted by shock and guilt.
She's dead. (barely a whisper) I - I killed her. ANGLE ON WOODS There's something in the shadows, watching Buffy. It's another Katrina, dressed exactly the same as the one on the ground.
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Act Three | ||
EXT. WOODS - BOTTOM OF EMBANKMENT - NIGHT
Buffy is still over Katrina's body, in deep shock. Spike quickly scans
the dark woods around them.
We have to go. BUFFY SPIKE BUFFY Spike grabs her, forcibly dragging her away from the body.
We have to go! Now! EXT. EDGE OF WOODS - NEAR CEMETERY - NIGHT Spike pulls Buffy out of the woods. She's totally shell- shocked. Spike whips his eyes around, making sure the coast is clear.
All right. Listen to me. Buffy. Buffy! He grabs her hard. She stares at him, in a daze.
She's dead. SPIKE BUFFY SPIKE BUFFY SPIKE INT. TRIO'S VAN - NIGHT A SURVEILLANCE MONITOR displays a TIGHT SHOT of Buffy's devastated face as Spike tries to calm her at the edge of the woods.
Two problems. ON SCENE Warren and Andrew's faces are illuminated by the monitors. Warren grins in cold satisfaction.
One stone. The van door opens. Warren tenses -- it's the Katrina that was watching Buffy She climbs in, tears streaking her dirty cheeks, her face bruised from where Buffy struck her.
She totally bought it. Nice job. KATRINA She shimmers, her appearance wavering. She transforms into Jonathan - - it was just a glamor. But the tears and bruises are real.
(bitterly) Some of my best work. ANDREW JONATHAN WARREN INT. BUFFY'S HOUSE - BUFFY'S BEDROOM - NIGHT Buffy is curled up under the blankets, sleeping fitfully.
What did you do... Buffy... What did you do... SPIKE (O.S.) He moves in close behind her, naked under the blankets. She gasps awake, her face strained with fear and guilt.
Shh... Don't worry. It'll be our secret... He kisses her neck, softly, gently. She shudders, pulling him close. She kisses him, searching for solace. Her kisses become hard and hungry as she rolls on top of him. INT. SPIKE'S CRYPT - DOWNSTAIRS - NIGHT Buffy straddles Spike on his bed, her face quickly giving way to animal passion. Her hands sensually run up his arms - and we see that Spike's hands are cuffed over his head. Spike's expression betrays both pleasure and pain... EXT. CLEARING - NIGHT Just a quick flash. Buffy violently strikes a shadowy attacker in the woods. We can't make out who it is. EXT. WOODS - BOTTOM OF EMBANKMENT - CONTINUOUS - NIGHT Now Buffy is straddling Katrina, who is in the same position as Spike was on his bed. She roughly handcuffs Katrina's hands above her head. Katrina's expression betrays both pleasure and pain...
Do you trust me? INT. SPIKE'S CRYPT - DOWNSTAIRS - CONTINUOUS Quick flash. Spike and Buffy are on the floor amid the wreckage of their love-making They're going at it again, rough and hot. EXT. CLEARING - NIGHT Quick flash. Buffy lashes out again. Hits someone. This time we see that it's KATRINA - who goes flying from the brutal blow. INT. SPIKE'S CRYPT - DOWNSTAIRS - NIGHT Buffy's on top of Spike, who lies in the exact position Katrina did when Buffy discovered that she killed her. Buffy has a stake raised in her hand. She swings it hard down on Spike's chest. EXT. WOODS - BOTTOM OF EMBANKMENT - NIGHT Katrina lies on the ground in the exact position she was in when Buffy discovered that she killed her - a stake protruding from her chest. Her dead, cloudy eyes SMASH open. OMITTED INT. BUFFY'S HOUSE - BUFFY'S BEDROOM - NIGHT Buffy's eyes crash open with a start. She gasps for air, the nightmare fresh in her throat. INT. BUFFY'S HOUSE - DAWN'S BEDROOM - NIGHT Dawn is asleep in her bed. Buffy, now dressed, sits down next to her. She stares at Dawn's peaceful face, her guilt increasing exponentially. She reaches out, brushes a stray lock of hair from Dawn's face. Dawn's eyes flutter open. She smiles at Buffy, still half asleep.
Hey. DAWN BUFFY Dawn notices the strained look on Buffy's face.
What's wrong? BUFFY Buffy's barely holding in the tears, which doesn't go unnoticed by Dawn. Fear creeps into her voice.
Why are you talking like this? Buffy?... BUFFY DAWN BUFFY She looks at Dawn, her face full of regret.
I'm sorry. Dawn hugs her close, trying to console her.
There's something I need to do now, Dawnie. I have to tell what I did. I have to go to the police - - DAWN BUFFY DAWN BUFFY DAWN BUFFY DAWN BUFFY DAWN BUFFY DAWN Dawn rushes out of the room. INT. BUFFY'S HOUSE - UPSTAIRS HALLWAY - CONTINUOUS Buffy comes out into the hallway, but Dawn's already halfway down the stairs. Willow pokes her head out of her room, thick with sleep.
What's going on? BUFFY WILLOW Buffy turns and leaves. Willow watches her go, concern creasing her sleepy face. EXT. STREET - NIGHT Buffy drifts down the street, a living ghost, her face constricted by remorse, She pauses, her eyes locking on her goal up ahead: the police station. A look of near-calm washes over her. She starts for the station entrance, resolved -- and relieved.
What do you think you're doing? Spike has stepped out of an alley behind her. She pauses but doesn't turn to face him.
(softly) The right thing. For once. She starts walking again. WHAM! Spike grabs her from behind and throws her into the alley. EXT. ALLEY BY POLICE STATION - NIGHT Buffy lands hard on the ground.
Sorry, luv. Can't let you do that. BUFFY SPIKE BUFFY SPIKE BUFFY SPIKE Buffy's face turn from remorse to horror -- and anger.
What did you do? SPIKE BUFFY SPIKE COP #1 (O.S.) ANGLE ON POLICE STATION as two COPS race out and get into their car.
The river. She washed up half mile from the cemetery. ON SPIKE He grimaces, kicking himself.
Ouh, balls.
BLACKOUT.
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Act Four | ||
EXT. ALLEY BY POLICE STATION - NIGHT
Spike tries to put a spin on the situation.
There still isn't anything to connect this to you. BUFFY SPIKE BUFFY SPIKE BUFFY She starts for the street. Spike blocks her path.
You're not doing this. BUFFY SPIKE That only adds to her guilt.
No, you don't. SPIKE. WHAM! She clocks him. He flies back a good ten feet, lands in a sprawl amid the garbage cans.
Try harder. She starts to leave. WHAM! Spike is suddenly behind her, VAMPED. He flings her back into the alley. She lands hard. Spike advances.
You're not throwing your life away over this. BUFFY SPIKE BUFFY SPIKE BUFFY SPIKE She screams, her guilt and rage exploding as she attacks him. No cool Slayer moves here, just a vicious primal beating. Spike counters as best he can -- but isn't hitting back.
You can't understand why this is killing me, can you?! SPIKE She lays into him, hard and ugly.
Come on! That's it! Put it on me! Put it all on me! That's my girl -- BUFFY WHAM! A devastating blow sends him crashing back. She's on top of him before he can get up. She pounds on him mercilessly.
You don't have a soul! There's nothing good or clean in you. That's why you can't understand! You're dead inside! You can't feel anything real! I could never... be your girl! She brings her fist down hard again and again and again. She suddenly stops, realizing what she's doing. Spike, his face now human, is a bloody mess. We haven't seen him this beaten down since Glory had a go at him. He sputters blood, barely conscious.
You always hurt... the one you love, pet. Buffy stumbles back, shaken to the core. She gets her bearings, heads out of the alley. Spike desperately tries to get up to stop her, can't.
(calling after her) Buffy! Don't do this! Please! Buffy! INT. POLICE STATION - NIGHT Buffy enters through the front door, blinks at the harsh fluorescent lights. The sounds of people and phones assault her. She spots the DESK SERGEANT on the phone.
(into phone) I'm waiting for confirmation now. No, no statements. Not until I get confirmation. BUFFY Another line on his phone rings.
I'll be with you in a second. Buffy stands there, small and scared in this frightfully human arena.
(clicking over) Sunnydale PD. Yeah, the phone's ringing off the hook. You got an ID on the body yet? Buffy's eyes jerk over to the Sergeant. Body? He grabs a pen to jot down the information.
Yeah, okay, shoot. (writing) Katrina Silber. S-i-l-b-e-r. Buffy's eyes go wide with recognition. FLASHBACK to when Buffy met Katrina in "I was Made to Love You." Katrina's yelling at Warren.
You're keeping secrets from me... other girls, who knows what else! WARREN POLICE STATION Buffy is starting to put it together.
Warren. The Sergeant hangs up the phone, turns to Buffy
Now what's the problem, Miss -- The door swings shut. Buffy is gone. INT. MAGIC BOX - DAY Buffy, ragged and weary, has assembled with the gang. Dawn sits on the stairs, apart from the group. Xander scans the Sunnydale newspaper.
According to this, they place the time of Katrina's death almost a full day before you saw her in the woods. WILLOW Anya appears with a musty tome.
I don't think so. Is this what you saw? She shows Buffy an etching of the Rwasundi demon.
Yeah. That's it. ANYA BUFFY ANYA WILLOW XANDER BUFFY WILLOW BUFFY DAWN BUFFY Buffy goes to stroke Dawn's hair. Dawn pulls away, disappearing into the training room. Buffy is deeply hurt, but doesn't move to follow here
We need to find Warren and the others. Whatever they've done... they're not going to get away with it. INT. UNDERGROUND LAIR - MAIN ROOM - NIGHT Warren works a computer terminal. Confidential Sunnydale Police Department files on Katrina's death fill the screen.
We're gonna get away with it. (reading) "Injuries consistent with a fall." The coroner's ruling it a suicide. JONATHAN Warren shrugs, not that concerned.
Wasn't that hard messing her game up. She figures it out, we'll take care of her. ANDREW A creepy smile bends Andrew's lips. He's definitely warmed up to the idea. Jonathan eyes Andrew and Warren uncomfortably. He's starting to realize just how deep he's in it now.
(softly) Yeah. Cool. BUFFY (PRE-LAP) INT. BUFFY'S HOUSE - LIVING ROOM - NIGHT Tara is on the sofa, the Brekezikrieg Grimore beside her. Buffy sits across from her on the edge of the coffee table.
I've double checked everything. There's nothing wrong with you. BUFFY TARA Buffy struggles with the news.
I didn't come back wrong. TARA BUFFY TARA BUFFY Tara's shocked by the intensity of that.
This isn't me. It can't be me. Buffy starts to cry, the emotions she's been desperately holding in finally spilling out.
Why do I feel like this? Why do I let Spike do those things to me? TARA Buffy's shame is overwhelming. She can't even look at Tara. Tara starts to understand.
Oh. (really getting it) Oh. Really? BUFFY TARA BUFFY TARA BUFFY TARA BUFFY TARA Buffy, still sobbing, looks at Tara as if she can't even comprehend the question. It clearly has made it worse.
It's okay if you do... He's done a lot of good, and he does love you... and Buffy, it's okay if you don't. You're going through a hard time, and you're... BUFFY TARA BUFFY She collapses to her knees. Tara puts her hand on Buffy's head, and Buffy lowers it into Tara's lap, sobbing still.
Please... don't... forgive me... We hold on the tableau: Buffy, confessing.
Please...
BLACK OUT.
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