Intervention

February 8, 2001 (Yellow)

Written by: Jane Espenson

Teaser

INT. BUFFY'S HOUSE - KITCHEN - NIGHT (DAY 1)

BUFFY, GILES and DAWN are at the sink. Buffy is washing dishes, Giles is drying. Dawn brings dirty dishes from the counter, and puts the dry clean ones back into the cupboards.

BUFFY
You don't have to help, Giles. You cooked.

GILES
Nonsense. I quite like to cook, and
helping out with the dishes makes me
feel useful.

DAWN
Wanna clean out the garage with us
Saturday? You could feel indispensable.

GILES
How… tempting.

BUFFY
Hey, Dawn? If there's any dishes in your
room, let's have 'em before they get
furry and we have to name them.

DAWN
Hey, I was like, five then.

Dawn exits.

GILES
How is she doing?

Buffy looks at him - not sure how to answer.

GILES (cont'd)
And you?

BUFFY
Okay. Some minutes are harder than others.

GILES
I'm so sorry. I can only say, it will get better.

BUFFY
It has to.

She smiles a bright "I'm okay" smile, not wanting to sink into despair. She finishes washing the last plate and starts drying it herself.

BUFFY (cont'd)
But we're holding up. Starting to get
into a routine…

She hands Giles the last plate.

GILES
Good. Routine can be very helpful…
In fact, maybe we should consider
returning to our training schedule.

Giles puts away the last plate.

BUFFY
I don't know. I've been thinking about
maybe taking a break or something.

Buffy avoiding, heads toward the living room and Giles follows.

INT. BUFFY'S HOUSE - LIVING ROOM - CONTINUOUS - NIGHT

Buffy enters, Giles behind her.

GILES
You were doing so well.

BUFFY
And you were great, helping me
and everything…
(bites the bullet)
But I've been feeling kind of uneasy
about stuff.

GILES
Like what?

BUFFY
Training, slaying… All of it. I mean, I
can beat up demons until the cows come
home, and then I can beat up the cows, but
I'm not sure I like what it's doing to me.

Buffy sits on the sofa. Giles sits next to her.

GILES
But you've mastered so much. Your
strength and resilience are -

BUFFY
Yeah, strength and resilience, those are
like words for hardness. I'm starting to
feel like, like being the Slayer is sort of
turning me to stone.

GILES
Turning you to stone? Buffy…?

Buffy is up and pacing now, trying to work it out.

BUFFY
I'm just… look, think about it. I was
never really there for Riley, not like I
was for Angel. I was terrible to Dawn…

GILES
Look, at a time like this you're bound
to feel emotionally numb -

BUFFY
Before that. Riley left because I was shut
down. He's gone and Mom's gone and I
really loved her, but I don't know if I…
if I let her know…

Giles stands up, goes to her, puts a hand on her shoulder.

GILES
She knew. Always.

BUFFY
I don't know. To slay, to kill, you have
to be kind of hard inside. Maybe being
the perfect Slayer means being too hard
to love at all. I already feel like I can
hardly say the words.

GILES
Buffy-

BUFFY
I love you, Giles. Love love love
Giles. Yuck. It feels strange.

GILES
I shouldn't wonder.
(then)
How serious are you about this?

BUFFY
Ten. Serious to the amount of ten.

GILES
There is something. In the Watcher's
Diaries. A Quest.

BUFFY
A quest. Like find a grail or something?

GILES
Not a grail. Maybe some answers. It
would take a day, perhaps two. As
your Watcher, I'd be part of it. There's
an incantation.

BUFFY
I can't leave Dawn here. Not with
Glory looking for her.

DAWN (O.S.)
Sure you can.

Dawn is standing in the doorway, carrying a few small plates. She enters, sets them down and looks questioningly at Giles.

DAWN
What's the deal?

GILES
A quest. Some of the Slayers before
Buffy found it helpful in regaining
their focus, learning more about their
role. There's a sacred location in the
nearby desert.

DAWN
A sacred place near the Hellmouth?

GILES
That's fairly common, actually. Sort
of an equalization of forces.

BUFFY
But I can't go.
(to Dawn)
I'm not leaving you here.

DAWN
If you need to learn… I mean if it'll
help you out, I think you should do
it. I can hang out with the gang…

Buffy hesitates.

DAWN (cont'd)
I'll be okay.

BUFFY
I love you, Dawn.
You know that, right?

DAWN
Yeah. I love you too.

BUFFY
I love you. Really love you.

DAWN
Gettin' weird.

BUFFY
Sorry. But - it's important that I tell
you. Weird love is better than no love.

INT. WARREN'S HOUSE - NIGHT

SPIKE is looking at something out of frame. WARREN (from ep. 15) is standing nearby, looking also.

SPIKE
Some say it's better than the real thing.

ANOTHER ANGLE

Reveals what Spike and Warren are looking at. She is BUFFYBOT, a perfect replica of Buffy. She WEARS BUFFY'S SWEATER AND A SHORT FLOUNCY SKIRT.

She stands inanimate at the moment. Eyes closed and motionless.

WARREN
Better than the real thing.

SPIKE
She looks good, but what about the
rest? A little talk, a little walk,
perhaps a zippy cartwheel…?

Warren is already heading for the door.

WARREN
Hey, she's great. You'll be real happy,
I swear. She's got everything you asked
for, the extra programming, tons of real
world knowledge, the profiles you gave
me about her family and friends.

SPIKE
All the extra programming, right?

WARREN
(uncomfortable)
The stuff you wanted. The scenario
responses, the, you know, special skills…
all of it. Now, you said I could leave
town when she was done, and she's-

To get out of the room, Warren has to pass right by Spike. He tries to do so as Spike is still staring at the bot. Without taking his eyes off her, Spikes hand shoots out and grabs Warren by the collar.

SPIKE
Wait. I'm not sure I'm a satisfied
customer. She looks a little shiny
to me. You know, a touch of
plasticine…

Suddenly Buffybot's eyes open.

BUFFYBOT
Spike! Oh, Spike!

She grabs Spike by the shoulders and pulls him to her in a steamy and thorough kiss. When it ends:

SPIKE
(simply)
She'll do.

BLACK OUT.

END OF TEASER
Act One

INT. GLORY'S APARTMENT - LIVING ROOM - DAY (DAY 2)

GLORY sits with JINX and MURK. Three UNNAMED MINIONS stand respectfully at the edges of the room. She is scattered and upset, but not manic or out-of-control. More human than we've seen before.

GLORY
He's getting stronger. I'm losing him.
I'm losing control of him.

JINX
You are speaking of Ben, Most
Glamorous Yet Tasteful One?

GLORY
He stabbed you! In your body! Oh,
Jinxy, that's not on the dance card!
That's not supposed to happen! He's a
(distasteful)
person. He's not supposed to do that.

MURK
Jinx is all right, your Highness. And we
have the new knowledge that the Key is
a human being.

GLORY
And Jinx will stay all right until Ben
finds out that he's not dead, that we
know his secret. Then Ben will try to
stop all of us!

JINX
What do we do?

GLORY
We hurry. Scamper scamper. If time
runs out on us and all we're left with
is info, then we're screwed.

JINX
Oh, surely not.

GLORY
No. We're screwed.

MURK
But you're a God! The Sacred Glorificus!

GLORY
I'm a God in exile. Far from the Hellfires
of Home and sharing my body with an
enemy that stabs my boys in their fleshy
little stomachs!

She taps Jinx's stomach with a finger. He winces.

GLORY (cont'd)
I'm in pain. Oh, my sweet Scabby Boys,
I want to go home.

JINX
(through discomfort)
How can we help? We'll lay down our lives!

Glory is up and pacing now, thinking on her feet.

GLORY
The Slayer and the Key are connected.
She is going to have contact with it. Find
out who is new in her life, who is special,
who is different. Watch her.

MURK
We can do that, Oh Thou.

GLORY
She could give it a nickel on a street
corner, or bump into it on a bus or
share a creamy chocolate shake with it
at the soda fountain. I want to hear about
everyone she has contact with. That girl
has my Key and I'm trusting you boys to
get it for me. If you love me, get it for me.

INT. GILES' CAR/EXT. DESERT ROAD - DAY

Giles' car pulls to a stop alongside the desert road.

The doors open. Giles gets out from the driver side, Buffy from the passenger side. Giles goes around and opens the trunk.

BUFFY
What's in the trunk?

GILES goes around and opens the trunk. Leans in…

GILES
Supplies.

BUFFY
I was wondering about that. Food and
water, maybe a compass?

Giles pulls out of the trunk holding a thick book, a gourd and a bundle of twigs.

GILES
How about a book, a gourd and a
bundle of twigs.

BUFFY
Don't think I'll be that hungry.

Giles walks away from the car, into the desert. Buffy tags along beside him.

GILES
They're for me. You see, the location of
the sacred spot is a guarded secret. I
can't take you there myself. I have to
perform a ritual that will turn over my
guardianship of you, temporarily, to a Guide…

BUFFY
A Guide, but no water or food. So it leads
me to the sacred place and then a week
later it leads you to my bleached bones?

GILES
Buffy, really. It takes more than a week
to bleach bones.

He smiles at her. She smiles back.

Giles stops walking and starts arranging the twigs on the ground to form a circle. He steps into the circle.

BUFFY
So, how does it start?

GILES
(embarrassed)
I… jump out of the circle, jump
back in, and, and, shake my gourd.

BUFFY
Hey, I think I know this ritual. The
ancient shamans were next called upon
to do the Hokey-Pokey and to turn
themselves around-

GILES
Go. Quest.

Buffy doesn't move. Giles jumps out of the circle. Jumps back in and shakes his gourd. It rattles. Buffy tries to look serious.

BUFFY
(mock-gravity)
And that's what it's all about.

A clap of THUNDER startles Buffy.

BUFFY (cont'd)
(humble)
Questing.

Buffy walks off into the shimmering heat of the desert.

INT. SPIKE'S CRYPT - DAY

Buffybot and Spike are circling each other, braced for a fight. Buffybot holds a stake.

SPIKE
What are you searching for, Slayer?
A weak spot? Try me. Give me the
best you've got.

Buffybot lunges at Spike with the stake. He ducks it, comes up under her, ends up holding her close from behind, his mouth at her ear. They're both breathing fast.

SPIKE (cont'd)
Was that your best, Slayer?

BUFFYBOT
No.

SPIKE
Why not?

BUFFYBOT
I want to hurt you, but I can't resist
the sinister attraction of your cold
and muscular body.

SPIKE
Maybe I should repay you for your
gentleness. Maybe I should let you go.

BUFFYBOT
No! Spike! Never let me go!

SPIKE
You know you should be afraid of me.
I'm bad.

BUFFYBOT
You are. You're very very bad.

She SPINS, throwing him off her back, knocking him onto his back on his bier. She jumps up and straddles him, one hand at his throat, the other holding the stake at his heart.

SPIKE
You gonna do it that way?

BUFFYBOT
No. This way.

She RIPS his shirt open and presses the stake against his bare chest. Spike GROWLS and arches up against the stake. She hesitates.

SPIKE
You can't do it.

BUFFYBOT
I could never do it. I'm helpless
against you, you fiend.

She throws the stake away. Spike rolls them over… they FALL OFF THE BIER to the floor of the crypt. Spike on top now. He kisses her and moves on top of her.

SPIKE
Buffy.

EXT. DESERT - DAY

Giles is sitting inside his twig circle now. He reads from his book.

GILES
(Swahili)
…nilivyoahidi kulinda na
kuongoza, nakupokeza.
Mpeleke afike mahali pa
usalama na ujuzi. Mpe
anavyohitaji. Mwonyeshe njia
(English)
…that which I am pledged
to guard and guide, I
hand over to you. Lead her
to a place of safety and
learning. Give her that
which she needs. Show
her the path…

EXT. DEEPER IN THE DESERT - DAY

Buffy is walking through the shimmering heat. She sees something out of the corner of her eye and turns to look. Nothing. When she looks ahead again there is a MOUNTAIN LION ahead of her. Startled, Buffy freezes. Then she realizes this must be the Guide. She steps forward carefully.

BUFFY
Well. Hello kitty.

The mountain lion walks slowly. Buffy follows the cat.

DISSOLVE TO:

EXT. RECOGNIZABLE DESERT - DAY

The mountain lion stops. Buffy looks around. We recognize this stretch of desert from the end of season four.

BUFFY
I know this place…

She turns to the mountain lion. But it has vanished. Buffy sits on the ground and waits.

INT. XANDER'S APARTMENT - DAY

Xander, Anya and Dawn are in the apartment as Tara enters.

TARA
Okay. Warning spell's all set.

XANDER
That's it? We're all protected up for
the night?

TARA
Well, it's probably not as good as
Willow could do.
(proudly)
You wouldn't believe how quick she
picks this stuff up.

XANDER
She's really smart.

TARA
She's more than that. She's a natural
with magic. In just the time I've
known her, she's already blown
right past me.

XANDER
So when the wiz kid gets back from
Chem Lab, you can have her, you know,
bulk up the spell a little if you want,
maybe while me and Anya go do a
quick patrol.

ANYA
I don't see why we have to patrol just
'cause Buffy's away. I'd rather stay
home and watch television. It's often
funnier than killing stuff.

Over the next couple lines, we stay on Dawn. She is looking at an end table, her back to the window that opens onto the balcony. A pair of Anya's earrings sits on the table. Dawn picks up the earrings, looks around. No one is looking at her and she slips the earrings into her pocket.

TARA (O.S.)
Oh yeah, Willow wants to see this thing
on the History channel tonight. Salem
Witch Trial stuff, which is just gonna
get her all upset.

ANYA (O.S.)
Oh, I was there, they weren't that bad.
If you were really a witch you could do
a spell to escape, so it was only bad for
the falsely accused and they never have
a good time.

Dawn moves away from the table, rejoining the group.

DAWN
So guys, if this is a real slumber
party, where's the pizza?

As Dawn moves away from the window, she is unaware that her movement reveals the new Minion, MURK, STANDING ON THE BALCONY, WATCHING HER. No one sees him.

INT. SPIKE'S CRYPT - DAY

Spike and the Buffybot are on the floor of the crypt - all the way across the room from where we last saw them. They're naked under a blanket, Buffybot spooned around Spike.

BUFFYBOT
You're evil.

SPIKE
And that excites you?

BUFFYBOT
It excites me. It terrifies me. I try
so hard to resist you, and I can't.

SPIKE
Yeah?

BUFFYBOT
Darn your sinister attraction!

SPIKE
For how long? How long have you
felt it?

BUFFYBOT
Since the beginning. I always trembled
when I heard your voice.

SPIKE
Are you afraid of me?

BUFFYBOT
Yes.

SPIKE
You know I can't bite you.

BUFFYBOT
I think you can. I think you can if I let
you. And I want to let you. I want you
to bite me and devour me until there's
no more.

Spike bites gently at her neck.

SPIKE
Like this?

BUFFYBOT
Oh! Spike! Devour me.

SPIKE
All right.

Spike turns her in his arms and moves on top of her again.

BUFFYBOT
Spike! I can't help myself! I love you!

SPIKE
You're mine, Buffy.

BUFFYBOT
Should I start this program over?

SPIKE
Shh. No programs. Don't use that
word. Just be Buffy.

EXT. CAMPUS - NIGHT

WILLOW hurries out of a campus building, surrounded by other students. She hands a notebook to one of them.

WILLOW
It's got last week's notes too. Just get
it back to me by Thursday. And don't,
uh, write in it, or put a coffee mug
down on it… or spill… okay.

As the student takes off she adds:

WILLOW (cont'd)
Don't fold the page corners! Bye!

Willow walks quickly past the corner of the building. From just around the corner, one of the Unnamed Minions watches.

INT. SPIKE'S CRYPT - LATER - NIGHT

Spike, exhausted, has fallen asleep on his bier. WE PAN across to find Buffybot as she finishes getting dressed. She picks up a stake.

BUFFYBOT
Time to Slay.

SPIKE
Yeah, mmmppphm.

BUFFYBOT
Okay! Vampires beware!

Buffybot heads for the door.

BLACK OUT.

END OF ACT ONE
Act Two

EXT. DESERT ROAD - NIGHT

Giles sits on the hood of (or inside of) his car parked at the side of the road and looks out into the night.

EXT. RECOGNIZABLE DESERT - NIGHT

Buffy, sitting where we last saw her, hugging herself for warmth. She starts to fall asleep, her head nodding. She jolts herself back awake.

EXT. CEMETERY - NIGHT

XANDER AND ANYA

patrol carefully, stakes out, alert.

BUFFYBOT

Dressed now as before, walks jauntily through the cemetery, humming and twirling her stake in her fingers. She sees Xander and Anya. She trots over to join them, her little flouncy skirt flouncing.

BUFFYBOT
Hey there!

XANDER
Buffy?

ROBOVISION

Buffybot's POV of Xander, a robot's internal view-screen, as we saw in "I Was Made to Love You" - it looks like a computer desktop. The image is labeled "Xander" and file icons displayed there are labeled: "Friend," "Carpenter," "Dates Anya."

BUFFYBOT
Xander! And…

PAN over to Anya and the label changes to "Anya". Her file icons are labeled: "Dates Xander," "Likes Money," "Ex-Demon".

BUFFYBOT (cont'd)
…Anya! How's your money?

BACK TO REGULAR VIEW

Xander looks confused, but Anya doesn't notice anything wrong.

ANYA
Fine! Thank you for asking.

BUFFYBOT
Isn't it a beautiful night for killing
evil things?

XANDER
I guess.

ANYA
You're back very early.

XANDER
Yeah, how was the whole
vision quest experience?

BUFFYBOT
I don't understand that question, but
thank you for asking! You're my
friend and a carpenter.

XANDER
Are you all right? You're all… I'm
liking the skirt, by the way… but
what happened to the quest?

Spike runs up and joins them, out of breath.

SPIKE
Hey there! Wait up!

BUFFYBOT
(delighted)
Spike! It's Spike! And he's wearing
the coat!

SPIKE
Yes. Um… hallo all. Buffy came back
early, I see. Lots of patrolling all
'round tonight then, is it?

Buffybot tries to cling to Spike's shoulder. He shrugs her off. Buffybot holds his arm. He winces, miming pain, pulls away.

SPIKE (cont'd)
Ow! Hey! Give a fella a break, Slayer.
but I'm glad you're all here, 'cause…
'cause the place is crawling with vamps
tonight. Tons of 'em. We really oughta
split up.

XANDER
We haven't seen any vamps… are you
sure there's-

A TWIG SNAPS. They all look to see a VAMPIRE stepping out from behind a tree. Two other VAMPS flank him.

ANYA
You were right.

SPIKE
(surprised)
Yeah, guess so.

The VAMPIRES charge at Buffybot, Spike, Xander and Anya. Buffybot immediately steps in front of Spike, protecting him.

One of the vamps lunges at Xander, and they exchange blows as Anya circles around behind the vamp, trying to get into staking position.

The other two vampires come at Buffybot and Spike. Spike takes on one of them, and Buffybot the other.

BUFFYBOT
Spike! Be careful!

ANOTHER ANGLE

reveals that several Minions are watching this.

Buffy stakes her vamp, then turns to see Spike, still battling with other one.

BUFFYBOT
No! Get away from him!

Anya stakes the vampire who's fighting with Xander. It DUSTS.

Buffybot tosses Spike a stake, and he stakes his vamp. It DUSTS.

BUFFYBOT (cont'd)
He fights his own kind 'cause
he has no other choice. It's part
of his sinister attrac-

Spike talks right over her, drowning her out.

SPIKE
(to Xander and Anya)
I think that was probably the big action
for tonight. You two can toddle on
home if you want.

XANDER
Um… Buffy?

BUFFYBOT
Yes! Spike and I will do it alone.
You guys head home.

Confused and reluctant, Xander takes Anya's hand and they walk away. Buffybot turns to Spike. She wriggles a little, like her skin's too tight.

BUFFYBOT (cont'd)
Mmmm. I don't understand this.
I did the Slaying. I should be…

SPIKE
Satisfied.

BUFFYBOT
But I'm not. I'm all… my skin is all
hot. Do I look hot to you?

SPIKE
Always.

BUFFYBOT
You better feel me to make sure.

SPIKE
I can do that.

Spike grabs Buffybot, pulls her close to him. Kisses her.

EXT. EDGE OF CEMETERY - NIGHT

Xander and Anya head home. Xander looks distracted.

ANYA
Phffft. I breathed in like a quart of
vampire dust. That can't be good.

XANDER
I wish Giles told us they were back
from the desert. I wish I knew what
went on there.

ANYA
Oh you know, Slayer-Watcher stuff.
Probably some silly ritual with an
enchanted prairie dog or something.

XANDER
Whatever it was, I think she's still a
little spacy.

ANYA
She fought okay.

XANDER
Yeah…

Xander suddenly stops.

XANDER (cont'd)
She never asked about Dawn.

ANYA
That's true.

XANDER
Something's wrong.

DISSOLVE TO:

EXT. CEMETERY - NIGHT - MINUTES LATER

Xander and Anya walking through the cemetery.

ANYA
I think this is where we were.

XANDER
I guess she went-

They're interrupted by a noise… a GRUNT.

ANYA
I heard something.

BUFFYBOT (O.S.)
Oh, Spike!

Xander motions for Anya to be quiet. He takes her hand and leads her around a tree. His expression freezes in shock.

XANDER'S POV

Buffybot, straddling Spike, her skirt pooled around them. They don't see Xander and Anya.

BUFFYBOT
You're the Big Bad!
You're the Big Bad!

XANDER AND ANYA

As she bumps into him, then she sees what he sees. Xander looks like he just took a bite of Hell. Anya, however, is intrigued and a little turned on.

INT. XANDER'S APARTMENT - LATER - NIGHT

Willow and Tara are sitting on the couch, watching the History Channel. Willow looks upset.

WILLOW
(re: the program)
Those darn Salem judges! With their
less-Satanic-than-thou attitudes…

TARA
Oh. Honey. Let me change it. The
Discovery channel has koala bears.

Xander and Anya burst in.

XANDER
Where's Dawn?

Willow turns off the TV with the remote.

TARA
She's in the bedroom. She fell asleep.

XANDER
Good.

WILLOW
What's going on?

XANDER
Buffy's gone insane.

WILLOW
What? What did she do?

XANDER
Brace yourself, you're not gonna
believe it.

TARA
Everyone, before you jump all over her…
people do strange things when someone
they love dies. When I lost my mother
I did some pretty dumb stuff, lying to
my folks and staying out all night-

ANYA
Buffy's boinking Spike.

A beat.

WILLOW
(struggling to understand)
Oh. Well, Tara's right, grief can be
powerful and we shouldn't judge -

TARA
What are you, kidding? She's nuts!

WILLOW
It's not healthy. We're all agreeing there.

TARA
What can we do?

ANYA
In the movies, when someone goes
crazy, they slap 'em.

XANDER
I'm gonna go find her, talk to her. If
she's losing it, we need to help her
before she gets herself hurt.

TARA
You aren't really going to slap her,
are you?

XANDER
No, but if I have to see her straddle
Spike again I will definitely knock
myself unconscious.

Xander exits.

EXT. RECOGNIZABLE DESERT - NIGHT

Buffy wakes up slowly to find herself lying beside a large blazing fire. She sits up. She looks out, beyond the fire it's still the dark cold empty desert.

Slowly she becomes aware of a figure on the other side of the fire, barely visible through the flames. Buffy strains to see who it is.

BUFFY
Hello? Who's there?

A wind blows the flames and the figure is made visible, distorted through the waves of heat. It's the first Slayer, the one we know from the end of last season as THE PRIMITIVE.

INT. SPIKE'S CRYPT - NIGHT

Spike is leaning back, enjoying a cigarette. There is the sound of someone approaching the crypt. Buffybot stands up into frame.

BUFFYBOT
Who's that?

Spike stands up, arranging his clothing. He points Buffybot toward the tunnel.

SPIKE
Down there. And no matter what,
don't come out 'til I get you, okay?

BUFFYBOT
(cheerful)
Okay!

Buffybot climbs down into the tunnel as Spike poses casually. Xander enters.

SPIKE
Oh, it's you.

XANDER
I saw you. In the cemetery,
with Buffy.

SPIKE
Yeah? Can't see how it's any
business of yours-

XANDER
It's my business because Buffy is my
friend. And she's been through some
stuff lately that's… well it's affected
her and you're taking advantage of her.

SPIKE
She's upset about her mum, and if she
turns to me for comfort… well I'm not
gonna deny it to her, I'm not a monster.

XANDER
Yes! You are a monster. Vampires are
monsters! They make monster movies
about them!

SPIKE
Well, yeah. Got me there.

Xander grabs Spike by the collar, threateningly.

XANDER
Spike, Buffy has lots of friends and we
all love her. We're ready to do whatever
it takes to protect her and if it means killing
you, then, well, that's just a bonus…

JINX (O.S.)
Gentlemen…

Spike and Xander look over. Jinx is standing just inside the entrance.

JINX
I'm so sorry to intrude, but I
wondered if I could beg a minute
of your time?

Murk and the other Minions file in behind Jinx. Jinx has continued to approach and is quite close to Xander and Spike by now. Xander, confused, lets go of Spike.

SPIKE
(to Xander)
Friends of yours?

Jinx SLAMS Xander with a powerful blow.

SPIKE (cont'd)
Guess not.

Spike SPIN-KICKS Jinx, who is driven back. The other Minions close in around him. Spike lands a few blows, but there are too many of them and they pin his arms to his sides.

JINX
Tie his hands. Glory will
want him restrained.

Xander, recovered, tries to charge the Minions and again one of them sends him flying, to land unconscious behind Spike's bier.

SPIKE
Hey! Let go!

JINX
(to Murk)
Careful with him. She will want the
Key intact.

SPIKE
Key? Who's a Key? I'm not the f-

Murk forces a gag into Spike's mouth and they drag him away.

BLACK OUT.

END OF ACT TWO

Act Three

EXT. RECOGNIZABLE DESERT - NIGHT

Buffy and the Primitive face each other across the fire. The Primitive is only sporadically seen clearly through the heat and flame.

BUFFY
I know you. You're the first Slayer.

PRIMITIVE
This is a form. I am the Guide.

BUFFY
I… um… Okay. I have a question.
This Slayer thing. What about…
love? Not just boyfriend love-

PRIMITIVE
You think you're losing your
ability to love.

BUFFY
I didn't say that.
(beat)
Yes.

PRIMITIVE
You're afraid that being the Slayer
means losing your humanity.

BUFFY
Does it?

PRIMITIVE
You are full of love. You love with all
of your soul. It's brighter than the fire,
blinding. That's why you pull away
from it.

BUFFY
I'm full of love? I'm not losing it?

PRIMITIVE
Only if you reject it. Love is pain
and the Slayer forges strength from pain.

BUFFY
Yes.

Buffy nods…

PRIMITIVE
Love. Give. Forgive. Risk the pain.
It is your nature. Love will bring
you to your gift.

Buffy stops nodding. She just reached her tolerance for cryptic.

BUFFY
My what? Sorry… It's just, I got a
little lost when we got to the gift
department…

PRIMITIVE
Love will bring you to your gift.

BUFFY
Yeah, that's what you said, alright.

INT. SPIKE'S CRYPT - NIGHT

Buffybot climbs up from the tunnel. She doesn't see Xander crumpled behind the bier.

BUFFYBOT
Spike? I waited like you said, but
then I missed you!

Concerned, she runs out of the crypt.

INT. XANDER'S APARTMENT/BALCONY - NIGHT

Tara is asleep on the living room floor. Anya sleeps on the sofa.

We hear knocking as Willow opens the door.

WILLOW
Xander, what took so-

Willow opens the door the rest of the way, to see Buffybot.

BUFFYBOT
Spike's gone.

Behind Willow, Anya stirs and mumbles.

WILLOW
Shh. Buffy, it's late. Come in…

Willow leads Buffy toward the balcony. As they go, Willow picks up one of the blankets on the floor and wraps it around herself.

ON THE BALCONY

WILLOW (cont'd)
We can talk out here.

ROBOVISION

Buffybot's POV of Willow. Her image is labeled "Willow" and the file icons say "best friend," "gay (1999-present)," "witch," "good with computers."

WILLOW (cont'd)
Did Xander find you?

REGULAR VIEW

WILLOW (cont'd)
He was looking for you and he hasn't
come back. Anya sat up waiting.

BUFFYBOT
I don't know where Xander is. I
didn't see him. And when I came up
from the tunnel, Spike was gone! Oh…
(finding the name)
Willow, I need to find him.

WILLOW
Um… Buffy? This thing with Spike.
It isn't true, is it? You didn't really,
you know, sleep with Spike.

BUFFYBOT
No. But I had sex with Spike. I'm
sorry if it bothers you. You're my
best friend.

WILLOW
I am. I always will be, too, no
matter what you do. And I'm trying
to figure out why this happened. And
I think I might have an idea.

BUFFYBOT
You do?

WILLOW
I think maybe, with your mom and
everything, everyone was being all
sympathetic, making you feel weak.
But Spike wasn't like that. So, just
one time, you kind of did something crazy-

BUFFYBOT
It wasn't one time. It was lots of
times. And lots of different ways.
I could make sketches.

WILLOW
No! Buffy. There's something
seriously wrong here. I mean, yeah,
you've been with a vampire before,
but Angel had a soul-

BUFFY
Angel's lame. His hair goes straight
up and he's bloody stupid.

WILLOW
O-kay. Look, I just want to help
you. Let me help you.

BUFFYBOT
You're my best friend.

WILLOW
Yes, again, I really am. And I think
maybe you need to talk to someone
about this. A professional-

BUFFYBOT
You're recently gay!

WILLOW
Um… what?

BUFFYBOT
You're also good with computers!
(then)
That's very nice.

WILLOW
Um-

XANDER (O.S.)
Guys, guys! Wake up!

Buffybot and Willow look into the living room. Xander has entered, turned on the lights. He stands with his hand to his head (where he got hit).

Anya gets up and runs to Xander. Tara sits up. Buffybot and Willow come in off the balcony.

ANYA
Xander! I was scared. Are you hurt?
What happened?

XANDER
Guys. Demon-y kinds of guys. Buffy?

BUFFYBOT
Yes? That's me!

XANDER
The guys that work for Glory? You said
they were kinda like Hobbits with
leprosy? Well, this was a whole flock of
Hobbits and they grabbed Spike. I think
they're taking him to Glory.

WILLOW
But he knows about Dawn!

BUFFYBOT
We have to get him back.

XANDER
(to Buffybot)
So how do we find him?

Beat.

BUFFYBOT
I fight with weapons!

XANDER
Yeah, I got nothing. We'll hit your
place, stock up.

WILLOW
Tara, will you stay and watch over Dawny?

TARA
Of course.

WILLOW
And don't let her know about…

Willow nods over to Buffybot.

TARA
Yeah. I plan to skip that subject.

EXT. RECOGNIZABLE DESERT - NIGHT

Buffy and the Primitive talk across the fire.

BUFFY
What? I'm sorry, but I'm just not
getting this. I'm full of love.
Which is nice to know. And then…
love will lead me to my gift?

PRIMITIVE
Yes.

BUFFY
I'm getting a gift? Or do you mean
I have a gift to give to someone else?

PRIMITIVE
Death is your gift.

BUFFY
Death is my gift.

PRIMITIVE
Death is your gift.

BUFFY
Okay. No. Death is not a gift. My
mother just died and I know about this.
It's not a gift I want and it's not a gift I
want to give to anyone else. If I have to
kill demons because it helps the world,
then I kill demons, but it's not a gift to
anybody.

PRIMITIVE
Your question has been answered.

The Primitive and the fire DISAPPEAR. Buffy stands alone in the middle of the big cold desert.

INT. GLORY'S APARTMENT - BEDROOM - DAY (DAY 3)

Early morning. Murk and Jinx drag Spike into Glory's bedroom. Spike's hands are tied behind him, but his gag is gone now.

GLORY
What the Hell is that and why is its
hair that color?

MURK
Stunning One, we believe he is…

Murk and Jinx exchange a delighted look.

MURK/JINX
(proudly)
The Key!

GLORY
(fake glee)
Really? That's fantabulous!
And impossible!
(then)
He can't be the Key. Because, see,
the Key has to be pure. This is a
Vampire. Lesson number one,
Vampires equal impure!

SPIKE
Damn right I'm impure, I'm as impure
as the driven yellow snow! Let me go!

GLORY
(to Jinx)
Can't even brain-suck a vampire.
He's completely useless.

SPIKE
So, I'm just gonna let myself out…

Spike turns to go, but Murk pulls him back roughly.

JINX
But, Your Unholiness, we observed the
Slayer. She protected this one above all
others. She treated him as precious.

GLORY
Really? Precious?

She comes over to Spike.

GLORY (cont'd)
Let's take a peek at you, "Precious."

She bends in close to take a look at him.

SPIKE
Sod off.

GLORY BACKHANDS SPIKE ACROSS THE ROOM, WHERE HE MAKES A NICE DENT IN THE WALL. PLASTER FALLS.

She goes over to him where he landed. She looks at his eyes, behind his ears, pulls down his lower lip and looks inside it, inspecting him like an animal.

GLORY
He doesn't look very fancy to me.

SPIKE
(lip still held)
Hey. Easy with the lip.

She lets go of his lip, letting it snap back.

GLORY
But if the Slayer protects him, maybe
appearances are deceiving.

She picks up Spike and THROWS HIM EFFORTLESSLY onto her bed. She jumps up and straddles him, just like Buffybot did earlier on his bier. She has one hand at his throat and the other poised, finger pointed, over his chest.

GLORY (cont'd)
Maybe there's something on the inside.

She DRIVES HER FINGER INTO SPIKE'S CHEST. He HOWLS with pain.

GLORY (cont'd)
What do you know, Precious?
What can I dig out of you?

INT. BUFFY'S HOUSE - LIVING ROOM - DAY

Xander, Willow, Anya and the Buffybot are entering through the front door, heading into the living room. Buffybot looks around.

BUFFYBOT
I live here!

XANDER
If we're going to stop Spike from
blabbing about Dawn, we're going
to need these.

Xander has opened a chest or cabinet in the living room and is pulling out Buffy's largest weapons… axes and crossbows.

ANYA
Wow. The big guns. Only not guns.
(then)
Shouldn't we have guns?

BUFFYBOT
Those are my weapons. Give me
something big and sharp.

WILLOW
Buffy? Where should we go? Where
Should we look for Glory?

Everyone looks at Buffybot.

BUFFYBOT
She's a God! She wants the Key!

XANDER
Yeah. So we should look…?

BUFFYBOT
I don't know! Why are you all
looking at me?

XANDER
Okay, Buff, it's okay. You're right.
You shouldn't have to know everything.

BUFFYBOT
We need to rescue Spike!

WILLOW
Um… Buffy? I think you have more
weapons upstairs. You could go get
those…

ANYA
And maybe change your clothes? You
know, something more… fighty!

BUFFYBOT
I can do that! I'll be right back.

Buffybot exits.

XANDER
Okay. This has gone way too far.
She thinks we're going to rescue Spike!

WILLOW
Well, what are we going to do?

XANDER
Find him. Stop him from talking.
Whatever it takes.

ANYA
And what do we do with Glory?

WILLOW
Whatever we do, we're going to need
Buffy's help.

XANDER
Then we're gonna have to talk to her.

WILLOW
Intervention time again?

XANDER
Yeah. 'Cause what we need right now
is a sane Buffy.

Buffy enters and is startled to see all her friends assembled in her living room.

BUFFY
Whoa. Group play time.

WILLOW
That was quick.

BUFFY
Didn't seem like it to me.
Death is my gift. Pffah!

The others exchange looks, now Buffy isn't even making sense.

XANDER
Buffy. We have to talk.

BUFFY
What happened? Is Dawn okay?

WILLOW
She's fine.

XANDER
Buffy, we care about you. And we're
worried about you. The way you're
acting, the things you're doing…

ANYA
It's wrong.

WILLOW
Wait. This shouldn't be about blame.

BUFFY
Blame? There's blame now?

WILLOW
No, there's only love. And some fear.

ANYA
We're just kinda thrown by the, you
having sex with Spike.

BUFFY
The who whatting how with huh?

ANYA
Okay that's denial. That comes
before anger.

BUFFY
I am not having sex with Spike!

ANYA
Anger.

XANDER
No one is judging you. It's
understandable. Spike is strong and
mysterious and sort of compact but
well-muscled-

BUFFY
I am not having sex with Spike, but
I'm starting to think you are.

XANDER
Buffy. I saw you. Anya too. We saw
you and Spike. With the straddling.

Buffybot enters, having changed into another flouncy-skirt outfit and carrying a huge battle-ax.

BUFFYBOT
Spike is mine! Who's straddling Spike?

Everyone turns to stare at Buffybot.

BUFFY
Oh my God.

XANDER
And so say all of us.

BUFFYBOT
Say, look at you! You look like me!
(confidentially)
We're very pretty.

WILLOW
Two of them!

XANDER
Hey! I know this!
They're both Buffy!

BUFFY
No. That's a robot. She acts just
like that girlfriend-bot that Warren
guy made! You couldn't tell me
apart from a robot?!

BUFFYBOT
(mildly skeptical)
Oh, I don't think I'm a robot.

ANYA
She's very well done.

Willow
We did have a reason to think you
might be a little not-yourself,
because of the grief.

BUFFY
(hurt)
I get it. Fine. Robot. Fine.

XANDER
Spike must have had her built so he
could program her to…

BUFFY
(genuine horror)
Oh God.

WILLOW
Yikes. Imagine the things-

BUFFY
No! Stop imagining! All of you!

XANDER
(raising hand)
Already got the visual.

BUFFYBOT
People! Friends of mine! You're
forgetting the important thing!
Glory has Spike and she's going
to harm him!

Buffy freezes and looks at Buffybot.

BUFFY
Glory has Spike?

XANDER
We were gonna bring that up.

ANYA
We were getting weapons.

BUFFY
Grab 'em. We're going now.
I have to kill him.

XANDER
We figured, any way we could stop
him from talking…

BUFFY
No. I have to kill him.

WILLOW
But we don't even know where to look.

Buffy thinks, then…

BUFFY
I know where to start.

26 AND 27 OMITTED

INT. GLORY'S APARTMENT - LIVING ROOM - DAY

Out in the living room now. Glory has been torturing Spike for a while now. He's shirtless and tied the same way Orlando was, suspended from a chain tied around his wrists. His feet are chained together too, the chain looped through a metal bolt on the floor. He looks beaten and bloody and cut. His head hangs forward loosely. Glory grabs him by his hair, pulls his head back roughly. Now we see that she has a knife at his throat.

GLORY
I have a riddle for you, Precious.
How is a vampire that won't talk
like an apple?

She brings the knife down to his chest, and peels away the skin, leaving a patch of exposed red flesh. Spike's muscles go rigid with pain.

GLORY (cont'd)
Think I can do you in one long strip?

SPIKE
Enough. No more. I'll tell you who
the soddin' Key is.

BLACK OUT.

END OF ACT THREE
Act Four

EXT. PARK - DAY

Buffy, Buffybot, Xander, Willow, Anya and Giles are gathered in the park. They're armed with large bladed weapons or with bows. Buffy carries an especially lethal-looking crossbow.

BUFFY
Okay, Glory's Key-sniffing snake was
about here when I killed it, and it was
headed back to her.

WILLOW
So you think she lives near here?

XANDER
That's not a lot to go on.

BUFFY
It's all we have.

Giles is looking at the Buffybot.

GILES
Quite extraordinary, really.

BUFFYBOT
Thank you, but I think we should be
listening to the other Buffy,
(with a hard 'G')
Giles. She's very smart and she's
going to save Spike!

GILES
(hard 'G')
"Giles"? Spike didn't even bother to
program my name properly?!

BUFFY
Listen, skirt-girl, we're not going to "save"
him, we're going to "kill" him. He knows
who the Key is and there's no way he's
not telling Glory.

BUFFYBOT
You're right. He's evil. Killing him is the
only way. We're the Slayer and that's
what we do.
(then)
But you should see him naked. I mean,
really. Can we save him now, please?

Buffy turns away from Buffybot, disgusted.

BUFFY
(to the group)
Split up, spread out. Check out the
priciest-looking places first. Xander,
come with me. Willow and Anya, go
together. And-
(pronounces it with a hard 'G')
Giles, dyeh…
(pronounces it right)
Giles, you can watch… it.

INT. GLORY'S APARTMENT - LIVING ROOM - DAY

Spike is still chained up. He's more cut and bruised than last time. Someone is holding a glass of water to his lips and he's drinking from it.

GLORY
Good. Because I'm tired of these games!

On "games" she SMASHES THE GLASS forward into his face. It SHATTERS and cuts him.

GLORY (cont'd)
"I need time," "I need a drink." You're
a very needy little bloodsucker and it's
not very attractive. Also not attractive:
all the blood. So start talking!

SPIKE
Yeah, okay. The Key.
Well, here's the thing…

Spike is surreptitiously working on the chains that tie his hands. Trying to twist his hands through.

SPIKE
It's that guy. On TV. What's his name?

GLORY
On the television?

SPIKE
On that show, the Price show, where
they guess what stuff costs--

Spike looks quickly behind him, toward the front door.

MURK
The Price is Right?

JINX
Bob Barker.

MURK
We will get Bob Barker! We will
bring you the limp and beaten body
of Bob Barker!

Glory spins and looks at her minions with narrowed eyes. They cringe.

GLORY
It's not Bob Barker, you scabby
morons! The Key is new to this
world and Bob Barker is as old as grit.

Glory gets in Spike's face again.

GLORY (cont'd)
The vampire is lying to me!

Spike laughs, a thin and bitter chuckle.

CLOSE ON: His hands, as he continues to work on the chains.

SPIKE
Yeah, but it was fun. And guess what,
bitch? I'm not telling you jack. You're
never gonna get your sodding Key
because you might be strong, but in
our world, you're an idiot-

GLORY
Stop it! I am a God.

SPIKE
The God of What? Bad home perms?

CLOSE ON: Glory, getting more and more angry.

GLORY
Shut up! I command you shut up!

SPIKE
Yeah, okay. I mean, sorry, but I
just had no idea Gods were such
prancing lightweights.

Spike glances back at the door again, shifts his body very slightly, trying to line it up with the door.

SPIKE
Mark my words, the Slayer is going to
kick your skanky lop-sided ass back to
whatever place would take a cheap,
whorish, fashion victim ex-God like you.

Glory HITS Spike so hard THE CHAINS BREAK and he flies THROUGH the front door of her apartment.

INT. HALLWAY OUTSIDE GLORY'S APARTMENT - CONTINUOUS - DAY

Spike lands in the hallway in a crash of wood splinters. His hands and feet are free.

SPIKE
(in pain)
Good plan, Spike. Fabulous bloody plan.

INT. GLORY'S APARTMENT - LIVING ROOM - CONTINUOUS - DAY

Back in the apartment, Glory is looking blankly at the empty dangling chains. Jinx steps up next to her.

GLORY
Bring him back.

EXT. HALLWAY OUTSIDE GLORY'S APARTMENT - DAY

Jinx pushes his way through the broken door into the hallway. He calls back to the other minions.

JINX
Here!

Spike hauls himself to his feet and lunges down the hallway toward an OPEN ELEVATOR.

Seeing this, the Minions, including Murk, make their way into the hall, rushing towards Spike as the elevator doors START CLOSING…

Spike makes it to the elevator - a second too late, crashing into closed doors. He slumps to his knees against the doors.

SPIKE
Oh, God.

On his knees, with his last strength, he wrenches open the elevator doors and falls forward. He tumbles into…

INT. ELEVATOR SHAFT - DAY

Spike falls a floor and a half onto the top of the descending elevator, and lands on his back, broken, half-conscious, staring up at the faces of the Minions who are looking down the shaft at him, getting smaller as he rides away from them.

Spike feels something under his back. He looks… the trapdoor down into the elevator. He shifts, pulls it open and allows himself to slide/fall headfirst down into the elevator.

INT. ELEVATOR/LOBBY - DAY

Spike falls through the trapdoor and lands on the floor of the descending elevator with a THUD.

The elevator DINGS and stops moving. Spike staggers to his feet. The doors open, revealing the lobby. All five Minions are there, led by Jinx and Murk, the last Minion still coming through a door marked "Stairs." Spike braces himself.

MURK
You do not insult Glory by escaping!

Buffy and Xander enter the lobby from outside. Buffy has her crossbow, Xander has an axe. The Minions see them and freeze, alarmed.

MURK (cont'd)
Slayer!

Spike, saved, drops his last defenses. He collapses onto the floor of the elevator.

A minion (1) charges Xander. Xander blocks him with his axe-handle. Buffy shoots Minion (1) with her crossbow as he struggles with Xander. The Minion falls dead.

Another Minion (2) attacks Buffy from behind, and knocks her crossbow away. Buffy engages him in fist-fighting, knocking him back.

Xander is swinging his axe, keeping another Minion (3) and Jinx at bay.

Giles and Buffybot enter, running! Giles carries a bow.

GILES
Buffy! We're here!

Giles immediately runs to help Xander, pulling Jinx off him and battling him himself

BUFFYBOT
Spike! Spike's in there!

Buffy knocks out her Minion (2) and is immediately beset by Murk. He keeps her busy, raining down blows she blocks…

Buffybot makes a run for the elevator, but before she gets there…

Giles in trouble. Jinx has taken his crossbow and is using it to crush Giles against the wall… bow pressed lengthwise across the Watcher's throat.

GILES
Buffy!

Both Buffy and Buffybot respond to their name. Buffy shoves Murk away from her, leaving him exhausted from the fight.

Buffy and Buffybot hurry over to Giles. They work together to pull Jinx off him. Jinx strikes out with the bow, using it as a club. It hits Buffybot. She is thrown back against a wall. A SPARKING EFFECT, BLUE FIRE, COURSES OVER HER and she slumps against the wall.

Xander knocks out his Minion (3) with a huge punch.

Buffy wheels to attack Jinx, but he's gone.

Murk and Jinx flee, running for the stairway door.

(to summarize: Minion 1 is dead, Minions 2 & 3 are unconscious on the floor. Jinx and Murk got away.)

INT. GLORY'S APARTMENT - LIVING ROOM - MINUTES LATER - DAY

Jinx and Murk, panting and beat-up, report to Glory. She moves closer and closer to them as they talk.

JINX
The Slayer was there!

MURK
A lethal fighter!

JINX
She seemed to be everywhere at once!

MURK
She had friends with many weapons!

JINX
They may have been demons.

Glory is very close to them by now.

GLORY
(calmly)
And where is my vampire?

INT. HALLWAY OUTSIDE GLORY'S APARTMENT - CONTINUOUS - DAY

There is a beat of silence. Then there are the terrible (o.s.) sounds of JINX'S and MURK'S SCREAMS.

INT. MAGIC BOX - DAY

Willow has the damaged and non-functional Buffybot open (a panel in the small of her back), and is working on the damage, with Tara at her side handing her tools as she needs them. Anya and Dawn are sitting at the table. Buffy stands.

Buffy goes over to the Buffybot, looks at her face-to-face.

TARA
Is it weird?

BUFFY
Oh yeah. At least it's not a very
good copy. I mean, look at it.

Willow and Tara exchange a look. It's a perfect copy.

WILLOW
Uh… yeah.

Xander and Giles enter.

BUFFY
(to Giles and Xander)
What did you do with Spike? And please
let the story have a dusty ending.

XANDER
We dumped him back in his crypt.

GILES
We tried to find out if he told her about…
anything… He was too badly beaten to
make any sense.

DAWN
But you found out something, right?
Now you know where Glory lives.

BUFFY
We know where she lived. She's gotta be
long gone by now. Did he tell Glory -

XANDER
We don't know. He was barely conscious.

ANYA
If he told her he'd just lie to us about
it anyway, right?

BUFFY
Oh, you can count on that. But we gotta
know. Now. If he did give us up, Dawn
and I are gonna have to get out of town,
or… I mean, she could be on her way.

Dawn looks scared. Giles sees this.

GILES
(to Dawn)
But there's no need to worry. I'm
sure we're all perfectly safe.

DAWN
(sarcastic)
We're safe. Right. And Spike built a
robot Buffy to play checkers with.

Uncomfy beat.

TARA
It sounded convincing when I thought it…

Willow looks up from her work.

WILLOW
Hey! I think I found something.

Anya looks over Willow's shoulder.

ANYA
Bleah. It's very complicated in there.
Personally, I'd rather look at guts.

WILLOW
I found where she's broken. There's
some wiring that got fried extra crispy.
That's an easy fix - I mean, not that I would.

XANDER
God, I feel kinda bad for the guy. Gets
all whupped, then his best toy gets
taken away…

BUFFY
Xander, please don't be suggesting what
I'd have to kill you for suggesting.

XANDER
No, no! Travesty! Completely on board.
It's just… guy was so thrashed… just
not his day.

Buffy is silent. Xander's words sinking in.

INT. SPIKE'S CRYPT - DAY

Spike lies on his bier. Buffybot, in the same outfit we last saw her in, enters and goes to him. She's startled by how horrible he looks. One eye is swollen shut and he's lividly bruised.

BUFFY
Spike! You're covered in sexy wounds!

He sits up painfully, swinging his legs over the side and facing her.

SPIKE
Yeah, they feel real sexy. Where ya been?

BUFFYBOT
I fell down and got confused but
Willow fixed me. She's gay! And then
I felt the pull of your sinister attraction.

Buffybot pets his head and he flinches in pain.

BUFFYBOT (cont'd)
I'll nurse you back to health. I'll wear
the nurse outfit!

SPIKE
Will fixed you? I'd a thought they'd
melt you into scrap.

BUFFYBOT
They were confused, too. Do you want
to ravage me?

SPIKE
Give us a minute. I got some bones
need mending.

BUFFYBOT
Why did you let that Glory hurt you?

SPIKE
She wanted to know who the Key was.

BUFFYBOT
I can tell her! Then you won't -

SPIKE
No!

She stops. He coughs, very painfully.

SPIKE (cont'd)
You can't ever… Glory never finds
out. Full stop.

BUFFYBOT
Why?

SPIKE
Buffy - the other… the not-as-pleasant
Buffy. Something happened to Dawn
it'd destroy her. I couldn't live, her
being in that much pain. I'd let Glory
kill me first. Nearly bloody did.

She thinks about that. Then she leans in and kisses him on the mouth, gently and sweetly. After a moment, he pulls back, startled. There is a long beat as Spike realizes the several ramifications of what has happened. Finally he asks…

SPIKE (cont'd)
And my robot?

At that moment we realize that this is Buffy. She stays close.

BUFFY
The robot is gone. The robot was
gross and obscene.

Spike looks down, ashamed. He really never meant for Buffy to know about the Buffybot.

SPIKE
It wasn't supposed to be -

BUFFY
Don't. That thing… it's not even real.

She starts to go. Stops at the door. Not sure how to say it, not even looking back:

BUFFY (cont'd)
What you did for me,
and Dawn, that was real.
(turns to him)
And I'll never forget it.

She goes. He is speechless.

BLACK OUT.

END OF SHOW